So, “Bates Motel” is a prequel to Alfred Hitchcock’s
original horror film “Psycho” but it takes place in 2013? Huh?
In this new A&E hit television series, the characters
and environment are consistent with the film but are combined with a unique,
modern twist.
Norman Bates, a quiet, geeky teenager and Norma, his
exceptionally attractive and depraved overbearing mother move to the same
creepy motel featured in “Psycho”. Norma dresses like a 1950s housewife, the
motel is “renovated” by what looks like a ninety-year-old grandmother, the
iconic Bates Motel neon sign resembles a 1960 artifact that you would only find
in an antique shop BUT, despite the countless retro characteristics, the show
is set in contemporary society filled with Iphone carrying teenagers.
The reasons behind the creation of “Bates Motel” are pretty
obvious. In an immense sea of failed Hollywood horror films and television
shows, originality is rare. Some viewers might perceive it as a Hitchcock
rip-off, while others consider it a masterpiece. Either way, there is no
doubting the show’s success.
The impeccable acting performed by Vera Farmiga (Norma
Bates) as the incestuous, attention-seeking, emotionally abusive mother helps
make this show even better. One scene you find her undressing near an open
window as Norman watches and later in the season she dresses down to lacy lingerie
in the same room as poor Norman—denying the clear inappropriateness implied by
her gestures. Gross.
Aside from Farmiga, shortly after she and Norman moved into
their new motel, you are introduced to Dylan, Norma’s older, “black sheep” of a
son. And ironically, Dylan becomes the only normal, functional person in the
series.
While awkwardly awaiting his first day at school in a run-down bus stop outside his motel, Norman's strange tendencies somehow attract a clique of the schools most popular girls. This is when you meet Bradley. Bradley Martin is clearly the cliques ringleader and although she is pretty insignificant in the first few episodes, her role quickly escalates in the series when she becomes Norman's first crush.
The introduction of Bradley and her posse is when you first encounter Norma’s smothering tendencies. While most mothers would be thrilled to see her emotionally and socially challenged son make new friends, she prohibits Norman from seeing them. After all, who needs friends when you have the perfect mom?
The introduction of Bradley and her posse is when you first encounter Norma’s smothering tendencies. While most mothers would be thrilled to see her emotionally and socially challenged son make new friends, she prohibits Norman from seeing them. After all, who needs friends when you have the perfect mom?
Long story short, Norman sneaks out anyways and returns home
to his physically injured mother and a dead man, and this is where the story of
Norman Bates really kicks off.
The remainder of the season is a whirlpool of cover-ups and
lies with a few extra characters thrown in to mix it up. You will meet two
cops, one seemingly good (Deputy Zach Shelby) and one seemingly bad (Sheriff Alex Ramiro). But keep one
thing in mind; no character will leave you unsurprised and nobody is who he or
she seems to be in this small town.
“Bates Motel” is certainly no “Psycho”, but that might just
be the point.
(Word Count: 497)
(Word Count: 497)
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